Saturday, December 20, 2014
The places we've lived: Harriet Hapgood's piece on rented housing got me thinking about the places I've lived in Manchester, and how each home is remembered in a way that neatly consolidates a moment in time. There was Royle Street for depression, nursing friends through break-ups and the nine days when the rain fell without mercy. Copson Street for movement; for loving cycling everywhere and learning that all I wanted from a night out was to just dance and dance and learning to feel okay about saying "no". Old Moat Lane for that wonderful, long back garden (grass! finally!) and feeling like we'd figured it out, ill-advised bedtime stories, gloriously cheap rent, and break-ins. And my current place for the novelty and freedom of living alone, of battling with prehistoric storage heaters and still experiencing the feeling (80% of the time) of a teenager who has been left home alone whilst parents holiday. (If I want I can eat dinner naked! I can invite men over! I can stay in, dig through my wardrobe and wear those gold heels I forgot about while dancing to disco records!) This afternoon my heart is swelling as I rifle through photographs from the last four years, crush on the people who I've shared them with, and, well- just generally avoid the Christmas shopping I should be embarking on instead of sitting on my favourite, cosy cafe. (Must I? I can't face another trip to a bookstore during which I sadly realise the books I've chosen are really for myself, and not other people at all.)
As this is most likely the last post I'll have time to write before Christmas, I hope everybody has a lovely break. It can be a wonderful time, and it can be a funny time too. Sometimes funny ha-ha, sometimes not. So don't feel hard on yourself if you're not feeling funny ha-ha; the holidays have a habit of making us feel obliged to have the best time ever, to communicate our past year with relatives in the most eloquent and least small-talkish way, and there's nothing like that sort of pressure to put the kibosh on chilled downtime. Is this all a little melancholic? It's not supposed to be, but maybe how that's come out, a projection of my own little personal post-it note reminder that Christmas will never regain that magic it possessed in childhood, but that going with the flow helps. I'm looking forward to returning home to Bristol, reading the books I didn't get time to read, sitting at the end of my Granny's bed, drinking fizz regardless of the hour, and crisp walks. Happy (almost) New Year!
"A story can be like a mad, lovely visitor, with whom you spend a rather exciting weekend." The Art of Fiction, with Lorrie Moore.
"My house, shared with four others, was fine at first...I mopped my wooden floors. Bought my own curtains. You can do a lot with twenty quid and a trip to Ikea... Our neighbours in the Residents' Association gave us a vintage sideboard that we filled with fancy-on-a-budget wine and we had people round to dinner. I made tacos!" Harriet Hapgood on calling your landlord every week, making a home from a rented house.
Inside the iconic Habitat 67 housing complex.
Do artists have a responsibility to address social issues through their work? A double bill: A.O Scott's essay "Is Our Art Equal To The Challenges of Our Times?" and this resulting panel discussion.
I know you care. Lindsay Lohan's Top Shelf for Into The Gloss.
Birdsong London, an online shop stocking products handmade by women's groups and charities.
Simon Amstell's Numb
Beats In Space radio show #757
David Sedaris: The Santaland Diaries goes live on Christmas Eve. Savour it with a mince pie, or whilst wrapping presents.
I Am Not Afraid by Owen Pallett. From the album I've been binging on all week. Part Sufjan Stevens, part In Rainbows, with hints of Perfume Genius and John Grant;
Posted by discotheque confusion at 2:42 pm